Fakülteler

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Browsing Fakülteler by Department "Beykoz Üniversitesi Sanat ve Tasarim Fakultesi"

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    Action Research About Development of Student's Artistic Form of Expression by Conceptual Art Activities
    (Ani Publishing, 2019) Basar, Cigdem Tanyel; Ince, Metin
    Since the 1960's, rapid changes and transformations in the field of art have been experienced in the light of the technological and social developments that have been experienced, and the expression forms and thought forms of today's art have differentiated. With this change in the art, there was a need for a new structuring and planning in the field of art education. The purpose of this research is to demonstrate how students' original expression patterns in artistic production have been improved through conceptual art practices. The research was designed with an action research model. Participants of the research consist of 12 undergraduate students who took Graphic Design lesson in Fine Arts Education Department of Anadolu University in the fall semester of 2012-2013 and the researcher conducting the course. Data were collected from class video records, semi-structured interviews, student diary, researcher diary, student objects/products and social media interactions. Data of the research were resolved through thematic analysis method. According to findings, it has been seen that the students have developed awareness of their surroundings by experiencing the research and inquiry process. The students have changed their conceptions of art and their distant attitudes to contemporary art and have tried to make meaning. From the research findings, students can be taught various artistic approaches such as art history, visual culture, digital art and contemporary art practices.
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    Deleuze ve Türkiye Sineması: Bir izdüşüm Alma Denemesi
    (2018) Yılmazok, Levent
    Felsefe ile sinema arasında bağ kurmuş düşünürler arasında Gilles Deleuze ilk akla gelenlerdendir. Cinéma 1 ve Cinéma 2 kitaplarında geliştirdiği, filmleri temelde hareket- imge ve zaman-imge biçiminde kategorize ettiŞi düşünce sistematiŞi yeni, kendinden önceki sinema kuramsallaştırmalarından ayrı ve akademik çalışmalar açısından potansiyeli yüksek bir alandır. Bu bağlamda son yıllarda sinema içinden ve dışından çeşitli akademik çalışmalara esin vermiştir. Deleuze kavramlarını ve taksonomisini oluştururken esas olarak Avrupa ve Amerikan sinemasını temel almış, İkinci Dünya Savaşı’nın yarattığı toplumsal travmayı sinemasal anlatımda kırılma noktası olarak tespit etmiştir. Zaman-imge kategorisine sokulabilecek yerli film sayısındaki artışın, Türkiye’nin kendine özgü post-travma koşullarında oluştuğu düşünüldüğünde, Deleuze’ün düşünce sistematiğini Türkiye sinemasına uygulamak verimli olmaya aday görünmektedir. Bu makalede öncelikle Deleuze’ün bir felsefeci olarak sinemayı nasıl gördüğü ve sinema-felsefe ilişkisi üzerine görüşleri ele alınmakta, bunu hareket-imge ve zaman-imge kavramlarının açımlanması izlemektedir. Son bölümde, Deleuze’ün özellikle zaman-imge kategorisi içinde geliştirdiği kavramların son dönem Türkiye sinemasına izdüşümleri Meleğin Düşüşü ve Bekleme Odası filmleri üzerinden irdelenmektedir.
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    Persistent Othering in Turkish Cinema: The Stereotyped and Gendered Greek Identity
    (Routledge Journals, Taylor & Francis Ltd, 2019) Yilmazok, Levent
    In Turkish cinema, the regular narrative of exclusion or othering of minority ethnic, religious, and gender identities harnesses the nation-building process against groups that function as the 'constitutive outsider.' Although recent Turkish cinema has challenged many established cultural patterns, this challenge does not yet extend to stereotyped and heavily gendered constructions of Greek identity. In this paper, I argue that these constructions are persistent, and can be seen in recent films. Specifically, I demonstrate that Greek characters are limited to a few stereotypical names and roles, assigned heavy Turkish accents, and for the most part, confined to female roles depicted primarily as 'indecent' and/or objects of the male gaze.